Montcada is filled with infrastructural, natural, and mixed ‘monuments’. We must rethink how we integrate them into our landscape and lives. The human scale must return, letting us feel their presence, value, and impact. Only then can we fully appreciate their importance in our modern world.
Montcada Reixac is compressed by a network of infrastructures. Noise. Constant motion. Smoke. Large, insensitive elements shape the territory, designed and ruled by machines.
Among them, the Can Rovira quarry stands out as the only one that is dead. Silence. Life. The project revolves around the symbolic construction of a monument through the ritual of death, evoking a link between an industrial past and a quieter, more humane future.
Proposal envisions a funeral complex where architecture restores the lost bond between body and territory. Light and shadow. Flowers and stones. Life and death.
Can Rovira is an abandoned granite quarry, where stone was extracted through controlled blasting. The project transforms the site into a funerary complex, addressing the need for a new crematorium after the closure of the one in Vallvidrera. Cremation, columbariums, and the funerary complex, with the crematorium as its central element, establish a dialogue between the quarry’s monumental and human scale, exploring the relationship between architecture, landscape, and memory.
A key aspect is material reuse. The quarry contains scattered granite stones of various sizes, predominantly large ones. These are repurposed into massive blocks that act as architectural elements, working through compression. Large excavated cavities serve as lost formwork for casting, later becoming fertile ground for gardens and integrating nature into the memorial space.
The implantation strategy focuses on occupying the terrace’s concave areas, enclosing them to establish a clear front and back: the built environment in front, a contemplative garden behind. The crematorium, placed in the most accessible flat area, consists of a cluster of spaces oriented towards the deceased, organized into served and servant spaces.
Heat recovery is integrated into the design. Residual heat from cremation is harnessed to acclimatise the building via an underground air circulation system, reminiscent of ancient hypocausts. The massive stone blocks provide thermal inertia, storing and gradually releasing energy. Additionally, the section geometry and the Venturi effect optimize heat distribution.
The architecture interacts with the quarry’s rugged stone walls, creating a contrast between regular and irregular forms. Gardens flourish behind the buildings, reinforcing the dialogue between life, death, and renewal.
